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2007 model challenge
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michael
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PostPosted: Sun Jan 28, 2007 4:49 pm    Post subject: Reply with quote

And January is not even over yet, Like the other comments have already said Steve a great simple layout well balanced and designed.

Now you have 11 months for the next few Twisted Evil
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PostPosted: Sun Jan 28, 2007 4:51 pm    Post subject: Reply with quote

Sort of interesting seeing what changing the position of the standing figure makes.



I think he sort of anchors where you look when he is standing against the wall. I suspect that when you look at the actual model when he is against the wall you will tend to look away from the lean to and the exit hole and more at the lean to and hole when he is in front. Does moving him the the other side of the boxes make any difference?

Incidentally, love the whole concept of the layout.
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PostPosted: Sun Jan 28, 2007 7:19 pm    Post subject: Reply with quote

Sir Briand wrote:
Sort of interesting seeing what changing the position of the standing figure makes.


Yes, the eye automatically gets drawn to a figure, it happens without you being aware of it. It is a useful tool to draw the viewers eye to where you want them to look, or away from something you dont want them to dwell on. This is why figures look better singly or in groups, having random figures scattered around confuses the mind and prevents the eye from taking in the scene properly, or from settling in one place. The same effect can be achieved with a brightly coloured item in an otherwise naturally dull setting, try placing something bright red or yellow against a brick wall and see what catches your eye.
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PostPosted: Sun Jan 28, 2007 10:28 pm    Post subject: Reply with quote

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try placing something bright red or yellow against a brick wall and see what catches your eye.


you mean like, maybe, a fire bell? Smile

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PostPosted: Sun Jan 28, 2007 11:20 pm    Post subject: Reply with quote

AndyA wrote:
you mean like, maybe, a fire bell? Smile


Yup, you are right there Andy, will let you into a little secret, the firebell is only painted in red primer, the aim being that it shouldnt attract the eye too much, bright red would have been overpowering I think. Guess everybody knows that little dodge now Laughing
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PostPosted: Sun Jan 28, 2007 11:25 pm    Post subject: Reply with quote

I like that card/balsa outbuilding Smile What did you use for glue so it doesn't warp?
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PostPosted: Sun Jan 28, 2007 11:29 pm    Post subject: Reply with quote

Quote:
card/balsa outbuilding

bending the rules a bit, Laughing yes , I know you are not entering competion Steve, but.... Wink
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PostPosted: Sun Jan 28, 2007 11:36 pm    Post subject: Reply with quote

dr5euss wrote:
I like that card/balsa outbuilding Smile What did you use for glue so it doesn't warp?


I will do a full write up on it soon, but to answer your question, I use exterior grade Evo-stik, a very thin layer is applied to both the card and the balsa and allowed to dry a little so it is just going off, then put the two parts together and it then acts like an impact adhesive. You only want a very thin layer of glue though, I use an old credit card as a spreader, as it is nice and flexible, but a thin piece of styrene sheet would also work.
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PostPosted: Sun Jan 28, 2007 11:48 pm    Post subject: Reply with quote

rue_d_etropal wrote:
bending the rules a bit, Laughing yes , I know you are not entering competion Steve, but.... Wink


Hmmm, good point, I didnt even give that a thought, guess I could get disqualified for that Smile .
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michael
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PostPosted: Mon Jan 29, 2007 5:48 am    Post subject: Reply with quote

I dont see how applying a balsa overlay on the card is bending the rules.

the key is that the card forms the structure.
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PostPosted: Mon Jan 29, 2007 8:06 am    Post subject: Reply with quote

Having spoken with Steve he knows what I think about his layout Laughing Laughing Laughing Gno it's superb Cool .
Have to agree with Michael the Shed is a card structure with Balsa used to enhance the look. Could have been card BUT easier to get planking effect with wood. At least that's what Steve said Wink
For that reason I believe a similar card shed with Plastic/ Ali corrugated overlay passes. In some of the smaller scales it would be difficult to find suitable corrugated card.
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PostPosted: Mon Jan 29, 2007 8:16 am    Post subject: Reply with quote

Michael said:

Quote:
the key is that the card forms the structure.


Okay, then I have a question, although it might be seen as rivet-counting.

My sum total of work on the project is having taped up a baseboard twice, cutt he track to length and produced two scrotty pieces of papier mache. But I've done a lot of thinking, and I still think that the bridge (at the extreme left of the mock-up) is the best solution as a tormentor. However...

No end of sketching (including in the social club area at Southampton's MR exhibition at the Eastpoint Centre) has revealed a way of making a skinny looking one. The best I can come up with is a 'precast concrete' side rail with holes in it. But, if the footings and deck are card, does that 'form the structure' to the point where (balsa) wooden handrails would be permissible. I guess otherwise it's just a 'challenge', but I have a few more of those at the moment:)

(Bracing a wooden underframe whilst still leaving space for wheels and couplers is no longer one of those, after last night, as someone on this list may be glad to know Smile )

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PostPosted: Mon Jan 29, 2007 8:44 am    Post subject: Reply with quote

Andy look at Michael's post on Page 1 of Dec 27th. I reckon the handrails aren't structure so they're in Very Happy after all what are they there for just to satisfy H&S Laughing Laughing Laughing
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PostPosted: Mon Jan 29, 2007 9:42 am    Post subject: Very Zen Reply with quote

Quote:
I reckon the handrails aren't structure so they're in Very Happy


Okay, I get it now. Very Zen. If I model precast concrete sides, they'd be a structural part of the bridge, but made of papier mache, they're in. If, however, I make them out of stripwood, they're not structural, so they're in as well. Smile

Steve, thinking of decoration, and moving the figure on your layout, I don't think it's the fire-bell that really draws the eye, it's the vertical cable, which attracts the eye in the way that a down-pipe normally doesn't (downpipes being like Father Brown's postman). I don't know how it works for anyone else, but with the figure moved to by the hut, and the yellow oil-drum visible, the sweep of my eye stops just short of the exit, because the relatively plain hut is less intrusive and my main focus bounces back.

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PostPosted: Mon Jan 29, 2007 10:15 am    Post subject: Reply with quote

sorry to have to disagree about using balsa wood as overlay. from my experiments with papier mache it should be possible to create any wood effect in paper. Rolling Eyes
if necessary produce original in any material, then use it to create a mould with can be used to make a copy in papier mache. then you can build as many sheds or fences as you require.
I am aiming at as close as possible 100 per cent paper or card based, obviously the track is plastic/metal and the trains will probably have plastic bodies(but not necessarily).
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PostPosted: Mon Jan 29, 2007 1:40 pm    Post subject: Re: Very Zen Reply with quote

AndyA wrote:
Steve, thinking of decoration, and moving the figure on your layout, I don't think it's the fire-bell that really draws the eye, it's the vertical cable, which attracts the eye in the way that a down-pipe normally doesn't (downpipes being like Father Brown's postman). I don't know how it works for anyone else, but with the figure moved to by the hut, and the yellow oil-drum visible, the sweep of my eye stops just short of the exit, because the relatively plain hut is less intrusive and my main focus bounces back.


Thats really interesting that you can see that in the photo Andy, under normal lighting conditions or a single overhead light, thats almost how it works, but with artificial lights from strange angles for the photos, it does tend to change the balance. For example, the cable for the firebell has three shadows behind it in the photo's which makes it stand out more than in real life. It does have a part to play though, the strong vertical line does act as a barrier, almost like an edge and hopefully stops the eye from going further to the right. The grouping of figure and oil drums, as you say, has a similar effect and does bounce you back to the left again. Once you get a train running through the scene though, the movement will attract the eye anyway and throws everything into confusion Smile .
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PostPosted: Mon Jan 29, 2007 3:45 pm    Post subject: Reply with quote

This is getting to be a very interesting discussion Cool . I have always maintained that much of the success of the look of a layout can be changed for the better, or the worse, by relatively minor shifts in location of objects or addition and subtraction of same.
Something else Steve's layout has is something between the track and the front of the layout. This adds a certain air of mystery as things appear and disappear.
Upton Whent's track and basic structures never changed but it was the fine tuning of the added bits that made the difference over time in the way the layout looked. To me, my modelling is a four dimensional art form and many Gnights seem to have the same approach. I guess small layouts encourage this Rolling Eyes .
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PostPosted: Mon Jan 29, 2007 3:58 pm    Post subject: Reply with quote

Brian said:
Quote:
I have always maintained that much of the success of the look of a layout can be changed for the better, or the worse, by relatively minor shifts in location of objects or addition and subtraction of same.

I think that this issue is one of the reasons that Macton is taking me so long to finish. I come to a point where I need to let things sink in for a while then come back with some fresh perspective.

On a very small layout like the one Steve has made the little changes are more apparent right away, on Macton which is perhaps 10 or 12 times larger in area the same changes apply but are not so apparent because there is so much more going on sometimes.

Not to mention all the other little side distractions that this forum places in front of me like candy. Smile
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PostPosted: Mon Jan 29, 2007 4:14 pm    Post subject: Reply with quote

Quote:
Some clarification
measuring system.....if you want to use broken watch straps go for it I prefer sticks with scratches an consistent intervals.

structural materials

Cardboard .............in
paper mache...........in
tissue paper ..........in
crepe paper ..........in
cereal boxes .........in
card packaging ......in
crumpled computer paper exams ...in
corrugated card .....in
expensive velum writing paper..... in
card playing cards ......in (just make sure they don't tumble)
plys of card ......in

dress up materials added as decore to outsides of base and models
anything........in

prohibited sctuctural materials

anything that is not a paper/card product.

Just so one doesnt have to keep going back to the begining.

Structure Vs Decoration:
This is always going to be debated, however for the sake of clarity in my view something like a bridge,
embankment or lead up to bridge (structure)
main design of bridge steel or concrete (structure)
handrails, track, signals, gates, decking, brick texture, concrete block or cast like texture, wood plank like textur, cables. (decoration)

I think this works and can apply to pretty much everything else oin the same light.

I think that Simon makes a good point so it might be worth taking the time to highlight the ingenuity of the decoration and show in pics where you have used only paper to achieve an effect, All of this of course leads to furthering the goal of expanding how we use simple materials in great and creative ways and have fun doing it.

regards michael
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Andrew Milner
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PostPosted: Mon Jan 29, 2007 7:47 pm    Post subject: Reply with quote

Just to put my 2 pen'orth (sorry for the Gnorthern terminology!). I would like to think the main 'walls' of structures (i.e. those that would be structural on the real thing, bricks, stone, wood) would be formed of paper products, otherwise you could just glue plastic pre-formed sheets onto card and claim they were just 'decoration. IMHO if it's structural in real life, then for the purposes of the competition, it should be a 'paper product' on the model. As for Steve's 'layout' though, as He isn't entering but is generously donating prizes and helping us by giving lessons along the way, I love to look at his (and others!) work for inspiration. In the end, I understand the vote is down to forum members so we will find out what they think later!!! Very Happy Very Happy Very Happy Very Happy
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PostPosted: Mon Jan 29, 2007 8:34 pm    Post subject: Reply with quote

We've got a few tangents going here haven't we? Shocked Very Happy

For me - I hope to use as much paper based stuff as possible. Both for the decorative and structural bits. I see that as the challenge. If I can't get the texture I want, or if a printie won't do it.. then I'll think of another approach. (Change the texture or item).
Hopefully stock, rails and people will all be paper based.
Looking about at the huge amount of printies available on the net is a real education.. the ingenuity that can be applied to create just about any shape you need...anyway.. horses for courses and all that.. just adding my small change Very Happy
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PostPosted: Mon Jan 29, 2007 10:07 pm    Post subject: Reply with quote

I'm also planning to use as much paper as possible, for everything except rails, wheels, and the basic drive units. Little things like chain or lights might not be paper! Shocked
I'm hoping to include a couple of downloaded paper models and I'm finally learning how to rescale things on my computer (I know, I'm light years behind!).
I love the idea of this challenge and am almost done with my planning!
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PostPosted: Mon Jan 29, 2007 10:28 pm    Post subject: New entry - hopefully Reply with quote

I am also planning a layout but I am a bit worried about the strength of the base baseboard if I have to carry it about to exhibitions etc. How many layers of corrugated card should I use and what is the best type of glue to use to bond everything together?

If I can still get someone to make me a couple of points I propose to built a layout 39"x6" wide but how deep should I make it. Apart from the track and the running stock everything will be made from card and paper. I hope to make working gas lamps as well.

john adams
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PostPosted: Mon Jan 29, 2007 10:40 pm    Post subject: Reply with quote

Working paper gas lamps John Question Hope you can flame proof them Exclamation Exclamation Laughing Laughing Laughing
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PostPosted: Mon Jan 29, 2007 10:43 pm    Post subject: Working gas lamps Reply with quote

Rolling Eyes It's Gnot the flame bit I'm worried about. Where will he get the gas Exclamation Exclamation
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